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Art and Architecture Term Papers

We have 1304 term papers relating to 'Art and Architecture'. Displaying page 39 of 55. Unlike other term paper and essay websites, all our term papers on Art and Architecture have been written by professional writers, not submitted by other students!

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John Pawson: The Comfort of Exactness.

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(25pp) Is it any wonder that the artist/ architect, who according to legend, claims that there are fifty shades of white, would speak of his own work in crystalline form? The crystal tself, in all its own unique purity could well be a metaphor for Paxon's efforts in this field. Throughout this discussion we will look for those thing, which influenced the creativity of both his lifestyle, and his work. For simplicity brings with it a certain monumentality. It accommodates the fundamental essence of architecture, c ompression and release, enclosure and transparency. Pawson's architecture appears unforced, and effortless - the one who is unaware will think - I could have used that, or I could have put those materials together. But we smile to ourselves for we know that, he-our questioner of these simple but elegant materials didn't do the work. For the real appreciation of Pawson is the understanding that simplicity is not easily achieved. Bibliography lists 20 sources.


The Egyptian Pyramids

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This 9 page paper outlines how the Egyptian pyramids were built by credible sources and explores nonconventional theories as well. Information about mathematics used by the Egyptians is included. Bibliography lists 10 sources.


Women of Early Modern Europe: Sophie Cheron

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7 pages in length. Elisabeth Sophie Chéron is the main topic of this interesting documnent on the women of early modern Europe. Rather than being a biography of her life, it argues a clear thesis of the fact that the female of that time was as socially and creatively strong as her male counterparts. Bibliography lists 3 sources.


Greek Life: Influences on Art and Architecture

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A 5 page overview of the various factors which have influenced Greek art and architecture from ancient times to the present. Emphasizes the importance of Greek geography and contact with other cultures in the evolution of art and architecture. Concludes that these same influences are still at work even today. Bibliography lists 5 sources.


Sandburg's Imagism and Braque's Cubism as the Energy of A New Day:

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A five page paper comparing Carl Sandburg's poem "Chicago" with Georges Braque's painting "Houses at L'Estaque." The paper concludes that both works, in addition to exemplifying the artistic school of Cubism and the literary movement of Imagism, exude the chaotic and noisy energy of the twentieth century. Bibliography lists five sources.


CAD Layer Standards

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This 5 page paper give an outline to the basic CAD standards with the purpose for their standardisation and a description of the different layers. The MLA style bibliography sites 3 sources.


Artful Definitions of the Minoan Society

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(6 pp). When we try to investigate Minoan society we encounter a number of problems regarding the evidence. Because the climate is frequently wet, most of the perishable evidence has disappeared with the weather. This makes it hard to construct a picture of Minoan society. We have some knowledge about Minoan people, of course, but this is very fragmentary: only little aspects of the Minoan social life are ever revealed at one time, mainly because the written materials are so few, and because scholars can read only a very little of this written evidence. Yet, it appears from their archeological art, that the Minoans as a society were much more advanced than others of their time. Bibliography lists 5 sources.


Lee Krasner at the Brooklyn Museum of Art

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(5 pp). "The key is what is within the artist. The artist can only paint what she or he is about." Lee Krasner (1979). Krasner, like a lot of us has molded her personal history into what she wanted it to be, often for the sake of the story to be told. However, considering there were times when she did not even paint at all, the show is a strong and cohesive statement about her work and her intent.


Picasso's "Mademoiselles d'Avignon"

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5 pages in length. Interpretation is limited only as far as one's imagination. After all, what we like and do not like is all a matter of personal taste. Such is the same for Pablo Picasso's "Mademoiselles d'Avignon," inasmuch as the artist harbored a much talked about abstract style. Some revered this appearance, others were wildly disapproving of it. But one must ask what is beauty in art? Is that distinction not absolutely interpretive, as well? Truly, it is quite difficult to define what is beautiful when the very essence is as individual as the fragrance of a flower. Picasso's "Mademoiselles d'Avignon" holds an inordinate degree of inherent magnificence, which is its primary point of interest. Bibliography lists 1 source.


Kouros at the Met

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(5pp). This Kouros, is the focus of the Judy and Michael Steinhardt Gallery dedicated to Greek Art of the sixth century BC. It is one of the only complete early Kouroi outside of Greece to be seen, and perhaps the only one in America. Certainly, it is one of the most important and rare works of the art in the Metropolitan Greek collection. It epitomizes the early Archaic style, with its static posture, one foot forward, arms held tightly by the side, gaze straight ahead.


The Arch Of Constantine

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5 pages in length. The writer discusses description, interpretation and comparison as they relate to the Arch of Constantine. Bibliography lists 4 sources.


The Column of Trajan

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A 5 page paper which discusses the Column of Trajan through the eyes of a simple traveler in the time of late antiquity. The paper analyzes the column, through the traveler, and then compares it to an earlier piece of work, the Colossus of Ramses II. Bibliography lists 3 sources.


Cragside; A Singular House of the Victorian Age

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This 11 page paper considers the national Trust owned building of Cragside in Rothbury, Northumberland. This building was an innovative and unusual building, it was the first building to have the entire house lit by hydro-electric power, along with central heating, hot and cold running water, a Turkish bath, and even fire alarms. Built in 1870 – 1880 by Lord Armstrong the paper charts the development and impotence of this unusual building. The bibliography cites 5 sources.


The Diversity of the Renaissance Period

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This 5 page paper considers the argument that the renaissance period should be subdivided into two separate periods due to the differences between the early and later time in this era. Evidence is used to argue this case including evidence from the arts and science as well as social history. The bibliography cites 3 sources.


Zaha Hadid: Modern Baroque Design

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This 12 page paper asserts that Zaha Hadid's designs go beyond the Modernism of the twentieth century to encompass the technological advances and shifting definition of urban living that are being forged in the early stages of the twenty first century while reflecting elements of the Baroque style. Bibliography lists 10 sources.


The Grand Tour Of J. M. W. Turner

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This 10 page paper expands upon the concept of the 'Grand Tour' to argue that Joseph Mallord William Turner is an artist who embodies the concept of the tour gestalt in that, through an investigation of his art, one may pass through time, places and historical occurrences. Bibliography lists 8 sources.


Michelangelo Buonarroti.

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(5 pp) Michelangelo's long and prolific life as a sculptor, painter, architect and poet made him the most celebrated artist of the Italian Renaissance. His name is synonymous with masterpiece, and his work still amazes artists today. Excerpts from Michelangelo's diaries are included. The works: David, the Pieta, the Sistine Chapel ceiling are discussed. Bibliography lists 4 sources.


The Continued Impact of Michelangelo

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(5 pp) The impact of Michelangelo upon the art world, and the world at large has been profound, and continues to be so today. In his own day he was work personified and professionalized. The artist challenged his Patron, even if it was the Pope, the Holy Father on earth. He embodied the spirit of the Renaissance, the rebirth of man as an individual, and thinking Soul, rather than the enduring piece of clay of the previous Middle Ages. He continues to be an icon against which realism, either measures its self, or rebels. His work shines as the physical evidences of the possible heights of man's spirit. Bibliography lists 5 sources.


Alice Neel (1900 - 1984).

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(5 pp) Alice Neel's daring, endearing, disturbing portraits of people and places are among the great treasures of 20th-century art. A retrospective of her work opened in June of this year (2000) at the Whitney Museum in New York. Seventy paintings and an important body of works on paper, celebrates the centennial of her birth. Her 1980 Self-portrait is discussed.


Caravaggio's Conversion Of Saint Paul

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At the beginning of the seventeenth century, the artist, Michelangelo Merisi (called Caravaggio), began to paint in a manner that was at once new and exciting as well as echoing the best of the Renaissance Masters who had come before. This 20 page paper argues that the use of light and shadow, specifically in the painting, The Conversion Of Saint Paul, is both a dramatic iconographic technique and a reflection of the baroque period characteristic that was such an integral component to Caravaggio's personal style. Bibliography lists 13 sources.


The Enlightenment: Artistic Evolution

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A 5 page discussion of the changes in artistic style which occurred during the period known as "The Enlightenment", or variably as "The Age of Reason" or the "Age of Rationalism". Relates the changes in art to the changes in the way Europeans viewed their world, their move from an approach which emphasized passion over fact to one which emphasized order, balance, and simplicity as well as a direct adherence to realism; a style often referred to as classicism. Bibliography lists 5 sources.


Picasso - the legacy lives on.

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(5 pp) If there is any artist who epitomizes the genius of our century, it is Picasso. Long-lived, endlessly inventive, prolific in his production, wanton in his sexual appetites as well as his artistic creation, an alchemist who could transmute the handlebars of a bicycle into the horns of a bull with a single gesture - there seems to have been no limit to his talents. 4 specific works are discussed. Bibliography lists 5 sources.


Sandro Botticelli

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(5 pp) The most humanistic of the Renaissance painters, Botticelli was at first apprenticed to a goldsmith; whether working in this sensuous metal influenced him we can not be sure, but we can easily say that Botticelli was one of the greatest artists of the Quatrocentro. The new secular spirit of the time affirmed individual value in numerous ways - portraiture came forward after centuries of neglect. Donors stepped forward confidently and aggressively as patrons of the arts, artist sponsors, and subjects. Secondly, privately commissioned works were made for aesthetic as well a religious purposes, and expressed the mythological subjects favored by the humanists, who enjoyed their history as well as their nudity and mild eroticism. Bibliography lists 6 sources.


Roman Art and Architecture: The Influence of Politics and Religion in the Fourth Century AD

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An 8 page discussion outlining the connection between Roman art and politics in the Fourth Century AD. Describes the intense control of art sought by Rome and the final triumph of Christians which resulted in their art in moving from the hidden recesses of ancient catacombs into a position of control in Roman culture. Emphasizes, however, that the Church was just like Rome in that it was very aware of the power of the visual image in swaying public thought and opinion and that they used this power to its utmost, converting and condemning all the way. Concludes that the evolution of art and architecture was really just beginning in Rome and elsewhere around the world. What was consistent, however, was the underlying theme of the influence of politics on art and the corresponding influence of art on politics. Bibliography lists 10 sources.







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